Szczegóły publikacji
Opis bibliograficzny
Polish music festivals as a tool of socialist propaganda / Magdalena PARUS-JANKOWSKA // W: Popular music in communist and post-communist Europe / eds. Jan Blüml, Yvetta Kajanová, Rüdiger Ritter. — Berlin : Peter Lang, 2019. — (Jazz under State Socialism ; ISSN 1867-724X ; vol. 6). — ISBN: 978-3-631-77463-2; e-ISBN: 978-3-631-78400-6. — S. 125–133. — Bibliogr. s. 132–133, Abstr.
Autor
Słowa kluczowe
Dane bibliometryczne
| ID BaDAP | 125254 |
|---|---|
| Data dodania do BaDAP | 2019-10-21 |
| Rok publikacji | 2019 |
| Typ publikacji | fragment książki |
| Otwarty dostęp |  |
| Wydawca | Peter Lang Publishing Group |
| Czasopismo/seria | Jazz under State Socialism |
Abstract
In the People’s Republic of Poland, mass culture, including popular music, was at the heart of the authorities from 1944 to 1989. At that time, mass culture was supposed to carry out propagandist, ideological, and educational goals. It was meant to create a socialist version of so-called mass culture. Soc-mass-culture, which was to be different from its Western counterpart, was primarily to be politicized. The article discusses the four most important popular song festivals—the Międzynarodowy Festiwal Piosenki [The International Song Festival] in Sopot, the Krajowy Festiwal Piosenki Polskiej [The National Festival of Polish Songs] in Opole, the Festiwal Piosenki Żołnierskiej [The Soldier Song Festival] in Kołobrzeg, and the Festiwal Piosenki Radzieckiej [The Festival of Soviet Songs] in Zielona Góra—with attention also given to their propaganda character.
